 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
|
|
 |
 |
 |
 |
|
Prints presently on display
EDGAR LEE LAUR, CPE, CSGA
"Sunlit Winter Forest"
Early 20th Century Mezzotint Etching
HARTWELL 'NEWIE' WYSE PRIEST, NAWPS
Aquatint Etching titled, "3 Day Blow"
Georgian Bay, Ontario
|
|
|
|
|---|
 |
|
 |
|---|
Carl Percy Martin |
Carl Percy Martin |
|---|
|
|
|
|---|
Kathleen Moir Morris |
Albert Henry Robinson |
|---|
Rody Kenny Courtice |
|
|---|
Harry Draper Wallace |
Ernst Neumann |
A. J. Casson |
|---|
Isabel Cleland |
Clifton Ernest Pugh A.O. |
|---|
Frederic Waistell Jopling |
Frederick Taylor |
|---|
|
|
|
|---|
|
A. J. Casson |
|---|
|
|
|
|---|
Herbert Sydney Palmer |
Cyril John Travers |
|---|
|
|
|
|---|
|
|
|---|
Eileen Soper |
Eileen Soper |
|---|
|
Susan Hudson |
Marguerite Kirmse |
|---|
|
Ernest Lindner |
|---|
|
|
|
|---|
Martin Kimble |
Eileen Soper |
|---|
Herbert Raine |
Michael Byrne |
W. J. Wood |
|---|
Harry Draper Wallace |
Harry Draper Wallace |
Harry Draper Wallace |
|---|
| Updated December 26, 2022 |
|---|
|
|
|
|
|---|---|---|---|
|
|
|
|
|
|
|
|
|
|||
|
|
||
|
|
|
|
|---|
* The amount of quality control and time used in creating our frames is well spent, as hastily made inferior frames often do not pass the test of time and do not always ensure the safety of your valued artworks.
* All foamcore and mat boards used are of the highest rag-content quality, meeting museum conservation standards.
* The mitred corners of our frames are epoxy bonded and double pin reinforced to ensure their long term stability in handling and hanging.
* Our frames outside corner edges are colour finished with the front side decorative motif elements being esthetically matched and balanced.
* We utilize Premium Tru-Vue glass that is silicone set for superior bonding and added shock-resistance.
* The back side of each frame is durably felt bumpered, paper-backed and shrink-fit sealed along with supporting hidden breathable apertures.
* Our print frames are considered the best of their genre, as we never attempt to cut corners when it comes to time, materials or research.
Though we no longer operate a bricks-and-mortar commercial walk-in gallery as such, we do have an eye for precision and fine details and always welcome new online clients who are in need of updating, cleaning and reframing their vintage hand-pulled prints.
