 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
Prints presently on display
|
|
|
|
|---|
|
|
|---|
|
|---|
|
|---|
|
|
|---|---|
A. J. Casson, RCA, OSA, G of 7 |
|
|
|
Edgar Lee Laur, CPE, CSGA, TASL |
|
|
|
|
|
|
|
Rody Courtice, RCA, CGP, CSGA |
Albert Henry Robinson, RCA, CGP |
|---|
|
|
|---|
Allen Harry Smutylo, OSA. PDCC |
|---|
|
Albert Henry Fullwood, ASA, ASPE |
|---|
|
|
|---|---|
|
|
|
|
Herbert Sydney Palmer, RCA, OSA |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Updated January 29, 2025 |
|---|
Fred Bourchier Taylor, RCA, CPE, CSGA |
|---|
|
|
|
|---|---|
|
|
|
|
|
|
|
|
|
|
Laurence Hyde, OSA, CPE, CSGA |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|---|
* The amount of quality control and time used in creating our frames is well spent, as hastily made inferior frames often do not pass the test of time and do not always ensure the safety of your valued artworks.
* All foamcore and mat boards used are acid-free and are made of the highest rag-content quality, meeting museum conservation standards.
* The mitred corners of our frames are epoxy bonded and double pin reinforced to ensure their long term stability in handling and hanging.
* Our frames outside corner edges are colour finished with the front side decorative motif elements being esthetically matched and balanced.
* We utilize Premium Tru-Vue glass that is silicone set for superior bonding, plus it adds to the frame's shock-resistance and creates a water-proof splash resistant barrier.
* The back side of each frame is epoxy mounted felt bumpered, paper-backed and shrink-fit sealed along with supporting hidden breathable apertures.
* Our print frames are considered the best of their genre, as we never attempt to cut corners when it comes to time, materials or research.
About our archival framing techniques
Updated January 29, 2025 |
|
|---|
